Tristram Shandy

Tristram Shandy is a book I always mean to read but never do.  I know it well enough without reading it.  it’s a mid eighteenth century novel with the feel of modernist literature. Stearne makes the sort of clever literary jokes that appear in books by Borges, Calvino or Will Self.  I still haven’t read Tristram, but driving down to Gower a few weeks ago I listened to the Naxos audio book, and although I found myself losing the thread (it was a beautiful journey, one the best weekends of the year so far) I managed to dip in and out of it enough to feel I had some of the sense of Stearne’s language.

I’d planned to meet my friend Neil in Gower, where we would walk the cliffs, drink the Gower Gold Ale, and try in vain to get to Goat’s Cave, Paviland, the oldest surviving ritual burial in the UK.  The Red Lady of Paviland (actually a man) is 30,000 years old, and his bones lie in Cardiff museum, on loan from the Ashmolean, Oxford.  Goat’s Cave, then is one the most important prehistoric sites in Europe, but is largely unknown.  I got very wet trying to get to it, and gave up after realising I could well kill myself trying to scramble across a vertical cliff some hundred feet above the rocks.

Intrigued by Tristram Shandy – and having enjoyed it more for listening to it on a journey through some startling landscape, when I returned home I bought Michael Winterbottom’s adaptation, A Cock and Bull Story, in which Steve Coogan and Rob Brydon slip in and out of character, pausing to describe events inside and outside the story, but this isn’t Steve Coogan discussing the movie he’s in, it’s Coogan playing a version of himself, of course.  The film weaves the layers of fiction together into a warm, gentle comedy.

As a result of the success of the film, Coogan, Brydon and Winterbottom went on to make The Trip, the duo once again consciously playing themselves, eating their way across the north of England (and, indeed Yorkshire, location of Shandy Hall).

Neil and I ate out once, in the Britannia Inn, Llanmadoc, Gower, but it was very, very disappointing, and if it wasn’t for the cuckoo we could hear as we returned to the car, it would have been quite miserable.

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Subliminal

Leonard Mlodinow’s Subliminal details research that demonstrates how susceptible we are to unconscious messages. Perhaps the most astonishing example he gives is of the power teachers’ expectation: when a teacher is told a certain group of average pupils are brilliant, after eight months 80% of these pupils show an increase of 10 IQ points, with 20% of this group gaining an incredible 30 or more IQ points.  Therefore labelling pupils as gifted is a self-fulfilling prophecy.  When we consider how, in Wales, for example, the education minister has decided that all pupils from Y2 onwards will sit literacy and numeracy tests, the results of which will be reported to parents, it is likely that many low achieving pupils will stagnate, as their disappointed mums or dads confirm to their children that they are not that clever after all.  Furthermore, after reading G for Genes (see review) I am convinced that reporting test scores to parents on such a narrow range of accomplishments (ie literacy and numeracy) rather than emphasizing a child’s potential, is extremely destructive.

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G is for Genes

G is for Genes, by Kathryn Asbury and Robert Plomin, makes a very strong case for something most teachers, and probably many parents, know already. Children are not blank slates.  Young people inherit as much as 60 – 70% of their aptitude for maths, for example.  Asbury and Plomin’s book makes a nonsense of successive education ministers’ attempts to expect state schools to compete with public schools when the latter are able to select pupils by ability.  Furthermore some pupils achieve despite attending a poor school, and some will never achieve even if with the very best teaching.  So what is the answer? A more diverse curriculum, one that does not expect the same from every pupil.

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The King’s Speech and Other Stories

Every time I see my father he tells me something that makes me laugh.  I saw him last week and he told me about a photograph he bought of ‘The Post Office’ in Bridport, Dorset.  A local told him that it that shut in 1901 after the postmistress was receiving a report, via telegraph, of the death of Queen Victoria.  At that moment the line was struck by lightning, the postmistress died, and the post office had to close down.

Here’s another royalty related story my father told me. It originally appeared on the Awfully Big Blog Adventure website.

 *    *    *    *    *

My mother is in hospital, so I went to have lunch with my father.  He’s a sprightly and intelligent man, he can string out a tale, and always surprises me.  We sat in a very ropey pub in a damp corner of Newport in south Wales.  For some reason we began talking about my father’s childhood, and the story of the King coming to Newport.  I wanted to rewrite it from my father’s point of view, trying to keep it more or less as how he told it.  The year is 1937.

  *    *    *    *    *

 Mother, or Mama as I called her, took me into town to see the King. I was nine, so I assumed it would be some sort of private conference, just me and him.  Perhaps he had something to tell me.  Of course it wasn’t like that at all. When we got to the centre of Newport, there was a huge crowd, but Mama, bold and obstinate, pushed through them all to the front.  And there was His Majesty, about to lay the foundation stone.

Suddenly Mama grew excited.

“The King,” said Mama, “he digs with his left hand.”

It was a grand day. A big cheering crowd. Mama had bought me a flag.

“I knew it,” said Mama.

I could see the King’s head but not the shovel he was holding.  I waved my flag.

“You don’t remember, do you?” said Mama.

“I don’t remember what, Mama?”

Someone started speaking, a very loud voice. There was a lot of clapping and cheering.  I couldn’t see what was happening and I needed a wee.

We went to the Kardomah.  Mama allowed me a lemonade.  She sat opposite me with her coffee.  The Kardomah was steamy and busy. It was nice.

“You don’t remember any of it, do you?”

“Yes, Mama,” I said. “You told me.” It was in the papers and on the wireless. I repeated her words exactly.  She’d said them enough times. “The King is coming to Newport to cut the first sod.”

“I don’t mean the King,” she said. She looked cross. The lemonade wasn’t very fizzy.

She stared past me. Perhaps she was hoping to spot someone she knew.  She knows lots of people. She is always stopping to talk about her sciatica.

“I was talking about you, not the King,” she said.  “When you started school the teacher wouldn’t let you write with your left hand.  Don’t you remember?”

“I think so Mama,” I said.

“You were forced to use your right hand and it made you stammer.  You stammered quite badly. We went to see Dr Harris and he said you must be allowed to write with your left hand. He wrote a note to school and straight away your stammering stopped.”  Her eyes were getting watery.

“I know Mama.”

“And the same silly people have done that to the King,” she said.  She looked cross again.

Cross but with watery eyes.  “He’s been forced to use his right hand, but he naturally uses his left.” “Poor King George,” I said.

“But don’t you see?” she said, as much to me as everyone else. “That’s why the King stammers!”

 

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The Day It All Changed

When I was a young I knew animals had souls. I was a thug until around the age of seven or eight, and had, until then spent far too long devising sinister tortures for wasps and minnows.  I won’t detail them here, I am not proud of what I did. But I had a dog, which we put into kennels when we went on holiday, and when we returned it was dead. I was inconsolable. I thought of my dog, a sweet little Sheltie pup, and imagined it pining for us, wondering why it had been abandoned.  I thought it of it as retribution for all the horrors I had inflicted on tiny creatures.  I became protective of all living things, of the smallest creatures, even of plants.  I took it a step too far with my feelings for inanimate objects, and in sensing their natures, began to understand where the temptation to hoard comes from.  The universe, some say, is cold and ruthless.  Life is an aberration.  I live with that, but at the same time I can’t help but marvel at life, at being, at what we are and what we make of the world around us.

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The Mouse that Roared

Are we influenced by the fears, and maybe the loves of our ancestors?  This story – http://www.nature.com/news/fearful-memories-haunt-mouse-descendants-1.14272 – took my breath away.  A mouse was trained to react negatively to a particular smell, and this reaction was passed on to its grandchildren.  The experiment asks as many questions as it answers – for politicians, teachers, artists, for all of us.  Just as we’ve got used to the idea that we may be the product more of our genes than of our nurture, this blows the whole argument open again.

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The Middle of Nowhere

I live in the middle of nowhere.  There is nothing for miles.  (And by ‘nothing’ I mean hills, fields, farms, streams, clouds and sheep).  There are no other houses, no shops, very little traffic.  I drive to work and rarely meet anyone coming the other way.  I drive home and stare into the setting sun.  At night the house creaks like an old ship.  In the mornings, in the summer, there is no better place to live.  In the winter, when everything freezes up, the track to the house becomes an ice slide, we can’t get out, and nothing can get up here. We’re marooned.  And if the water supply shuts off and the boiler breaks down, we might as well be living in a tent. So I watch nature’s clock for the tell tale signs of spring: the snowdrops, the daffodils, the first green buds on the hawthorn.  And when everything explodes into blossom, it is symphonic and sublime, and then the cold brutality of the dark months is at last seen off and life never feels so good.

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The Frailties We Share

This Monday, on R4’s Start the Week, Andrew Marr, Jeanette Winterson and John Tavener talked about the soul, about their spiritual journeys. I am in awe of all three; they share a willingness to share their uncertainties, their frailties.  Too often the public sphere seems to be made up of people who exude confidence and self-belief; most of us are not like that, but we’re often unwilling to make it known.  It’s an astonishing edition of the programme, made poignant by Marr’s return to broadcasting after a stroke, and Taverner’s death the following day.

It’s here, 11 Nov, 2013 – http://www.bbc.co.uk/podcasts/series/stw

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Ten Again

It’s strange that even though I’m drawn to experimental art, to people and theories that challenge the status quo, again and again I come back to same things that I loved when I was about ten years old.  I was bewildered as a child, I didn’t know what was going on. I still don’t know.  I loved mountains and history, I loved music and football.  And here I am, decades on, after fancying myself as a rock and roll singer in my twenties, and an avant garde artist in my thirties, I’m back to the child I was, staring at the stars in complete astonishment at being alive.  I’m fortunate, I know, to have enough of what I need not to care about those things, so I am able to spend time just being in awe.

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Richard ll

David Tennant’s Richard is the love child of  Richmal Crompton’s Violet Elizabeth and Harry Enfield’s Kevin. He’s a spoilt brat surrounded by giggling sycophants who obsequiously applaud each of his successively disastrous decisions. He makes sarcastic asides, is impatient with the old and tumbles blithely into chaos. Even when the game is up, and he’s ordered to submit the crown to Bolingbroke, there’s a suggestion he’s going to stamp his foot and say ‘shan’t’ or ‘it’s so unfair!’ Tennant is very funny, and there are plenty of laughs, but Richard is an unpleasant character and only someone with Tennant’s huge popularity can pull it off.

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