David Tennant’s Richard is the love child of Richmal Crompton’s Violet Elizabeth and Harry Enfield’s Kevin. He’s a spoilt brat surrounded by giggling sycophants who obsequiously applaud each of his successively disastrous decisions. He makes sarcastic asides, is impatient with the old and tumbles blithely into chaos. Even when the game is up, and he’s ordered to submit the crown to Bolingbroke, there’s a suggestion he’s going to stamp his foot and say ‘shan’t’ or ‘it’s so unfair!’ Tennant is very funny, and there are plenty of laughs, but Richard is an unpleasant character and only someone with Tennant’s huge popularity can pull it off.
Monthly Archives: October 2013
In Praise of Fog
One thing I love about mountains, and the views from their slopes and summits, is the distance that sparks the imagination. William Hazlitt said most of it in his essay ‘Why Distant Objects Please’. I can populate those distant places, a ship out at sea, a far off hill, with whatever I like. Get closer, and the reality is less alluring. I feel the same way about most things, about characters or places in books and films, or melodies in music. I’d prefer them to remain indistinct. I like murk and fog, I like the swirl of mist, and slippery uncertainties. Even in everyday exchanges, I prefer things left unfinished. Too much detail is like a lamp that’s far too bright. There are exceptions, of course, like following instructions for installing a new printer, but even then, I tend to sort those things out by fumbling, trial and error, and by throwing stuff across the room and so on.
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Alchemy
It’s a limbo I’m sure all writers understand. The book is finished, and has been reduced to the essence of what it should be. I’ve always thought writing, or any creative activity, is like alchemy. The alchemist takes raw materials, or base matter, and subjects it to a process of reduction until there is nothing but a purified essence. This, perhaps, is the mysterious white stone. It is everything stripped down to all that matters. I forget who said that good design is the art of knowing when you’ve reached the point where no more can be added, and nothing can be taken away. Perhaps it’s the same for writing a book. I don’t want to add any more, and I dread taking anything else away. Meanwhile I am in limbo, waiting for my agent to reveal to me what she intends to do. Will she represent it? And if so, to whom? Will she be ambitious, cautious, or will every publisher in town get to see it? So I cook boiled eggs and eat toast. I read more. I fidget.
Barbarians
I drove east to Oxford and a party to celebrate 25 years of the Felicity Bryan Agency. It took place in the beautiful, refurbished setting of the Ashmolean Museum. I overdosed on champagne and managed to be articulate enough to talk to a number of agency authors. I chatted with Peter Heather, who very modestly told me he was teacher, which he is, but he is also Professor of Medieval History at King’s College, London. His expertise is the fall of the Roman Empire, so I asked him to tell me, in one word, why the Roman Empire collapsed, he replied ‘Barbarians’ – which I think is the title of one of his books. I want to read it now, not just because I don’t know much about who the Barbarians were, but because Peter was a very amusing bloke. Lydia Syson, an author I hadn’t met before, was embarrassingly nice about my books, and Joanne Owen I discussed being Welsh, and what Wales means to us.
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Battles with My Boy
Last week I took my son to start his first term at university. Saying goodbye to the first born was something I was not looking forward to. I wanted him to go, to begin his new life, but knew I’d miss him. He’s been bogged down with school subjects he was never that immersed in, and so to start studying the thing he loves most, politics, means that he is doing what he wants to do. It is such a bittersweet experience. Once upon a time I had an idea of writing a book about our travels together: Battles with My Boy. It was to be a travelogue of journeys across battlefields of Britain, and a commentary on our arguments. We used to argue all the time, about politics, education, how to make tea, where the biscuits have gone.
Cutting Tentacles
In June I went to see my agent, Catherine, who, along with Amy Waite, a new member of staff at the agency, sat with me and made some suggestions on what to do with the new book. At the moment it’s called Octopus Crush. I hope it stays that way, but you never can tell with publishers. It’ll probably end up being called Hairy Octopus or His Dank Tentacles.
Catherine wants cuts, and I can understand why. It’s because my book is far too long. One day, perhaps, I will assemble the cuts into Octopus Crush, the Author’s Cut, but it will be rambling and have too many scenes in which nothing happens.
A Plague of Ideas
I’ve been reading up on the French Revolution – Hilary Mantel’s colossal A Place of Greater Safety, and Simon Schama’s Citizens. I’m quite obsessed with the character of Robespierre, and sense the germ of an idea for a book, although I have so many germs for books I could start a plague. Ideas, as we all know, are easy. Doing something with them is a different kettle of piranhas.
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Awfully Big Blogs
I’ve been blogging for years for other people. The most popular of these is the Awfully Big Blog Blog Adventure. (http://awfullybigblogadventure.blogspot.co.uk/). I’ve blogged about education, Wales, music, creativity. Many other authors add their thoughts, too. It’s worth a visit.
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The Big Switch
I haven’t had time to keep fiddling about with Dreamweaver and Photoshop. It’s too time consuming. I’ve decided to use WordPress and see how it goes.
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